A focus on form

Jewellery shaped by a single circular form — the torus.

Oblivion brooch in oxidised sterling silver with keum boo gold dots in a dispersing pattern

At the centre of every piece is the torus — a circular form with no beginning or end.

It runs through the work as both structure and starting point, shaping how each piece is designed, made, and worn.

The form lends itself to ideas of continuity, movement, and return — concepts that quietly underpin the work.

Portrait of jewellery designer Isabella Bedlington

A way of making

Isabella Bedlington founded her jewellery practice in 2023, after graduating from the Glasgow School of Art.

What began as an exploration of form quickly became a focused way of working — returning again and again to a single shape, refining it, and pushing it further.

Form and detail

Close-up of Over and Over and Particles brooches, oxidised sterling silver with granulated texture and scattered keum boo gold squares

The work moves between two approaches — minimal and highly detailed.

Some pieces are reduced to their simplest form, allowing the shape to stand on its own. Others are built through layers of pattern and texture, using the surface as a space for detail.

Crafted by Hand

Applying keum boo to the Interlace brooch, heating the silver and burnishing gold onto the surface

Each piece is handcrafted using precious materials, including sterling silver and high carat gold.

Traditional techniques such as keum boo — an ancient Korean method of fusing gold to silver — are used to create fine surface detail.

The process is slow and deliberate, requiring precision and repetition.

Jewellery design board showing brooch concepts, torus forms, sketches and visual research references

Inspiration

The work draws on literature, historical objects, and lived experience — from ancient artefacts to personal moments.

Ideas of time, movement, and the layering of experiences run through each piece or collection, shaping the work without defining it.

Rather than telling a fixed story, the jewellery is open — allowing meaning to form through the person who wears it.

Model wearing Oblivion brooch in oxidised sterling silver with keum boo gold dots in a dispersing pattern

The jewellery is designed to be
worn, lived with, and chosen
for how it feels